IKE ỌNATARACHI DỊ N’IME ỤMỤ NWAANYỊ: NZIPỤTA YA N’AGỤMAGỤ NDỊ A HỌỌRỌ
Abstract
Ụmịedemede Ọtụtụ ezinaụlọ nọ n’ọgba aghara taa n’ihi na ụmụ nwaanyị nọ n’ezinaụlọ ndị ahụ leghaara ike dị ha n’ime anya ebe ụfọdụ nọ n’ọnọdụ dị otu a n’ihi na o nweghị onye hụtara ike na uru nwaanyị bara n’ezinaụlọ ahụ. Onye ọbụla tụkwasara obi na ọ bụ nna nọ n’ezinaụlọ bụ onye kachasị. Nke a mere e ji họrọ isiokwu a, ka e wee kọwaara ụmụ nwaanyị na ha nwere ike zoro ezo n’ime ha. A chọkwara iji edemede a kwalite mmụọ ụmụ nwaanyị ma mee ka ike a zoro ezo n’ime ha pụta ihe ka ha ghara iche mgbe ihe ike mere ha. N’ihi nke a, a gbasoro usoro nkọwa wee tụchaa nchọcha a. E ji atụtụ mọdarizim mee nchọcha a. Atụtụ a na-ekwu na n’agbanyeghị mmekpa ahụ na akpọmasị ụmụ nwaanyị na-enweta n’aka ụmụ nwoke, ịhụnanya dị ha n’ime na-eme ka ha leghara mmekpa àhụ ndị a anya, mee ihe ziri ezi ọ kachasị n’ebe ezinaụlọ ha nọ. Ngwa ọrụ edemede a bụ agụmagụ ndị gbadoro ụkwụ n'isiokwu a. Ha bụ, Adaeze na ụwa bụ nke Onye. Agụmagụ abụọ a bụ iduuazị. A chọpụtara na nwaanyị nwere ike pụrụ iche dị ya n’ime nke na-apụtakarị ihe mgbe ihe ike mere ya. Ọ na-agba mbọ mee ihe ọbụla o nwere ike ime ka ezinaụlọ ya ghara ịda. E bu n’obi na edemede a ga-enye aka mee ka ụmụ nwaanyị mara na o nwere ike zoro ezo dị n’ime ha nke mere na otu ọbụla o sila dị, ụmụ nwaanyị na-akwụdo hụ na ezinaụlọ ha adaghị. A tụrụ alo ka ụmụ nwaanyị mara na nzọpụta ezinaụlọ ha dị ha n’aka n’ihi nke a, ụmụ nwaanyị kwesịrị ileghara nleda anya a na-eleda ha, na omume ‘ọ gbasaghị m’ ndị di ha na-eme mgbe ụfọdụ, mee ihe ga-enye aka kwalite ezinaụlọ ha.References
Brewerton, P. (2019 February 20). Find your hidden Strength. Strength Scope. https://strengthscope.com/find-your-hidden-strength
Ifeka, O.R (2014) (ọhz). Ibènê. Perect Image Publishers.
Nsolibe, O.T (2018). Ụwa bụ nke onye. Perect Image Publishers.
Nwadike I.N (1996). Igbo Contemporary Drama. Early Beginning, Bibliography, & Classification. Na Nsukka Journal of the humanities 9.114.
Nwadike, I.U (1998). Adaeze. Pacific Correspondent College & Press.
Okeke, J. N (2009): Oral Literature and Family: The Igbo eụample. N’Unizik Jounal of Art & Humanities 2. 180
Olá L, Richter R & Kotowska, I. (2014). The New Roles of Men & Women and Implications for Families & Societies. Families and Society. familiesandsocieties.univie.ac.at
Orjinta A.I. (2013, January 26). Womanism as a method of Literary Text Interpratation. A study of emergent Women’s Images & Religious Straucture in Selected Works of Henrich Bo11. Ludwig-Maximilians- Universitiat Munchen. https://edoc.ub.uni-muenchen.de.
Otiono, N. (2014). ‘Catherine Acholonu (1951-2014): The Female Writer as a Goddess’. Nokoko, 4, 67-89
Omware, K. (2019, February 25) Hiden Strengths: The Secret Power of Human Weakness. Medium. https://www.medium.com/@nextgenwritters
Shuani, A(2020, December 8). Roles of Women in the Family & Society. YourArticle Library. https://www.Yourarticlelibaray.com
Simeon, S. (2021, February 2). More Couples are Embracing Female Breadwinners, despite Decades of Old Stigmas. NPR. https://www.npr.org on.
Sundel, H. (2020, February 14). I’m the Breadwinner in my Relationship & it’s Complicated. Yahoo Life.https://www.yahoo.com/lifestyle
Sindell, T. & Sindell, M. (2015). Hidden Strength: Unleashing the Crucial Leadership Skills You Already Have. Berrett-Koehler